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Ballet Luminary Matthew Ball on Demanding Parts and Social Media Scrutiny: 'I Don't Feel Protective About My Body'

Within the quiet atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. The dancer's carriage is naturally upright, his limbs defined beneath a plain tee. On stage, ballet dancers can appear like mighty deities, yet often in person they are small. Not so Ball, whose tall stature is one reason for his demand for princely roles and pas de deux work. Possessing delicate traits and intense eyes, there's a hint of Robert Pattinson about him.

A Seamless Rise to the Top

Now 31, Ball is experiencing the crest of a career that has progressed smoothly. Raised in Liverpool, he faced minimal ridicule for his early interest in ballet. Entering the Royal Ballet School at 11, he graduated straight into the troupe and was promoted each year, reaching the highest position of lead dancer in 2018. He has loved taking on meaty characters, especially the emotional turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His next starring role is in a talk, in an "In Conversation" series aiming to offer behind-the-scenes insights into a performer's art. He will walk the audience through a part, demonstrating his mental process while execution. Yet in lighter ballets, the challenge is profound. "A classic ballet is one of the toughest technically," he states.

The Mental Struggle and After the Show Feelings

What about following a show, when he has pulled it off? "It feels pretty good," he says. "However because I'm trying to extract all the juice out of it, and get immersed in the character, frequently I do feel self-conscious later. After an intense role I'm always like: God, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. But a choreographer previously observed on a "sense of suffering in him." Is there? "I am very active in general, but I do have a dark side," he confesses. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Motivations and Artistic Inspirations

Ball's determination originated in youthful experiences. Not excelling in contests at school made him "driven!" This became motivation to demonstrate he could succeed. Reading the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit fanatical," he remembers.

The next challenge is creating his own dance works. For Ball, "there's nothing wrong with." "Breaking the conventions is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from literature, compositions, and art.

Intimate Performance and Private Partnership

He also favors presenting dance in smaller venues. "It was just really thrilling," he says of a previous experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a person, and they’re sweating.'"

Ball has made pieces with his partner, fellow principal Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a daring lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their home company, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he notes. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Perception

On Instagram, fans can see videos from his projects and images that highlight a athletic physique. Does he mind that the engagement can be a bit objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he states. He compares it to seeing Michelangelo’s David—an object that can be interpreted on various levels.

Ball characterizes his younger self as "eager for success." Has it met his expectations? "I feel very aware of how reality is a different thing to the aspirations you had as a young person," he reflects. He likely has another ten years of performing ahead. "I suppose in the time to come, I want to be a bit more gentle with myself."

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About the author

Steven Hartman

An avid bingo enthusiast and community organizer with a passion for bringing people together through fun events.

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